{"id":101689,"date":"2020-11-03T14:08:43","date_gmt":"2020-11-03T19:08:43","guid":{"rendered":"https:\/\/sobarnes.com\/all-destinations\/paris-vaut-bien-une-danse\/"},"modified":"2020-11-04T10:16:21","modified_gmt":"2020-11-04T15:16:21","slug":"paris-is-well-worth-a-dance","status":"publish","type":"post","link":"https:\/\/sobarnes.com\/en\/so-barnes-en\/paris-is-well-worth-a-dance\/","title":{"rendered":"Paris is well worth a dance"},"content":{"rendered":"

The encounter between director Michel Ocelot and dancer Pablo Legasa, the music of Erik Satie and the Parisian sky could only result in wonder.<\/span><\/h4>\n

The director of Kirikou and the Sorceress<\/em> (1998) is a legend in the world of animated films. For his first live-action film, Michel Ocelot has captured Pablo Legasa, Premier Dancer of the Paris Opera Ballet, dancing to Erik Satie\u2019s Gnossienne n\u00b01<\/em>. Pablo Paris Satie<\/em> is a moment of grace between sky and ground, lasting around 5 minutes, and presented by the Paris Opera\u2019s\u00a0 3e Sc\u00e8ne<\/em><\/a>. And of course SoBARNES<\/a> wouldn\u2019t leave you hanging:<\/p>\n