{"version":"1.0","provider_name":"SoBarnes","provider_url":"https:\/\/sobarnes.com\/en\/","author_name":"Laurent Caillaud","author_url":"https:\/\/sobarnes.com\/en\/author\/laurent-caillaud\/","title":"Paris Opera: Aida revisited - SoBarnes","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"https:\/\/sobarnes.com\/en\/so-barnes-en\/so-trendy\/paris-opera-aida-revisited\/\">Paris Opera: Aida revisited<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/sobarnes.com\/en\/so-barnes-en\/so-trendy\/paris-opera-aida-revisited\/embed\/\" width=\"600\" height=\"338\" title=\"&#8220;Paris Opera: Aida revisited&#8221; &#8212; SoBarnes\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","thumbnail_url":"https:\/\/sobarnes.com\/wp-content\/uploads\/2021\/03\/aida-OnP.jpg","thumbnail_width":1447,"thumbnail_height":833,"description":"Now that the cultural and artistic spheres have taken to the Web, this decidedly bold performance of Aida, recorded at the Op\u00e9ra Bastille, is available free of charge on the Arte website. SoBARNES explains why this is definitely one not to be missed. Aida turns 150 First performed in 1871 to mark the inauguration of the Suez Canal, this Verdi opera takes a very political turn in this new production by Dutch director Lotte de Beer staged at the Op\u00e9ra Bastille. The thwarted love story of Ethiopian slave Aida and Egyptian officer Radames, straight out of the times of the [&hellip;]"}